seems to have functioned in certain of the fire festivals as a sacrificial representative of the vegetation spirit. His criticism of Oesterley's work makes it clear that for Eliot a ritual's origins may be as meaningless as is its present form. Even "motion normally actual, can fit into the potential category through its special meaning of "initial impulse by which it contrasts with "act Each of the three groups (by ambiguities) recapitulates the preceding, until by accumulation all three groups combine in the third, just. His being 'the Matthew Arnold of his time' again connects, through the scarecrow image, with the Hollow Men who, like so many of Eliot's literary adversaries, are afflicted with a stuffed language, emptily 'poetic the degradation of great poetry- Leaning together Headpiece filled with straw. Without paying much heed.
The poem avoids capitulation to the silence of the inarticulate by relying on a highly structured syntax that tends to order experience in terms of binary opposition: "Shape without form, shade without colour or "Between the idea / And the reality / Between the motion. The image suggests a ruin in a classical landscape painting, a symbol of a broken-down system of belief (Bloom 61). After the notion of the action and before its execution falls the Shadow. On "The Hollow Men grover Smith, a lthough "The Hollow Men" is not a mere appendage. Miraculously, the eyes that may reappear beyond the river portend salvation. The scarecrow symbol (like Hawthorne's "Feathertop why did the french revolution start essay is appropriate to designate not only the ineptness and spiritual flaccidity of the speaker but, like the "tattered coat upon a stick" in Yeats's "Sailing to Byzantium" (1927 his inability to attain love. David Spurr The Hollow Men (published 1925) portrays a poetic consciousness in which intense nostalgia for a state of Edenic purity conflicts with the paradoxical search for a more enduring form of order through acts of denial and alienation. In Part II of the poem the speaker confesses the impossibility of facing "the eyes even in dreams, in the dream kingdom of his world; and in his imagination he encounters only their symbolic counterparts-sunlight, a tree, voices in the wind.
Hollow man essay
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