The many scenes of reading in the work of Godard and Farocki are, in this sense, allegories of their common activity in the archives of history, which also incorporate material from film history (and from war-footage, television and advertising). In this sense, the allegories still remain realistic, because they do not neglect to show the conditions of their technical formation.
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1970/1980: Deux moments instructifs, Table Ronde: Pédagogies farockiennes, Paris, Centre Pompidou,. A Mechanical Virtuoso Performer. Digitalisierung aus dem Nachlass von Harun Farocki: Archivmaterial Peter Weiss, Film: ReStored_02. Kaja Silvermans opportune formulation of the author as receiver is applicable here, and Pantenburg makes repeated reference to the term. Marianne und Germania, Godard thus stressed how important early German Romanticism was for him. The student politicization of the mid-1960s, which Godard seismographically linked to violence and terror even in 1967, a year before the outbreak of open protest, is related back to the time around 1800 and the epoch-making events of the French how to cite online essay in text Revolution. 1968 im Film, Goethe-Institut Amsterdam,. Erzählen mit dem Stadtplan Literaturforum im Brechthaus,. Harun Farocki and the Operational Image, Kolloquium der DFG-Kollegforschergruppe »Medienkulturen der Computersimulation Leuphana-Universität Lüneburg,.